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Showing posts with label MoMA. Show all posts
Showing posts with label MoMA. Show all posts

Bauhaus: The Book


“Excuse me,” says the young designer to the clerk in my imaginary, vaguely Monty Pythonesque skit. “I’m looking for a book called Bauhaus.” The clerk replies "walk this way," and proceeds to show her an entire section where every book is titled “Bauhaus.”

The legendary design school is synonymous with creativity and innovativeness, and over the years there have been many lavish and scholarly books published about its history and influence. But where was the creativity when it came to titling these many tomes? True, there is the occasional under-line, over-line, or date range in tiny print. But basically, an enormous number of books fall into perfect lockstep and boldly feature the single–word title of “Bauhaus.”

On the other hand, there is something to be said for clarity in messaging. After all, shouldn’t form follow function?

Really, it's just an excuse to post a bunch of them. The selection here is by no means comprehensive, and many of these are alternate or later printings of earlier editions.

50 Jahre Bauhaus, 1968 catalog (Herbert Bayer cover)
for the exhibition in Stuttgart. The gray cover at the top
of this post, is a 1975 abridged version of the catalog.




Bauhaus, by Fiedler and Feierabend was originally
published in 1999 with the red cover. The cover
of the 2008 edition is white.



Bauhaus by Xavier Girard, Assouline, 2003.




The original edition, top, and the second printing of the
book compiled for MoMA's 1938 Bauhaus exhibition. It was
edited by Herbert Bayer, Walter Gropius and Ise Gropius.




Two books by Magdalena Droste from Taschen.(top, bottom)




Siebenbrodt & Schobe, Parkstone, 2009.



Gerd Fleischmann’s 1995 book incorporates Herbert Bayer’s
design for a 1928 cover of the Bauhaus Journal.



Hans Wingler’s Bauhaus “bible,” by MIT Press, 1969.
Hard cover edition
with slipcase, top, and the
soft cover
version.



Even the catalog for the recent MoMA show included
“Workshops for Modernity” in the tiniest type possible.


A really great resource for Bauhaus books is the site Modernism 101. There is a blog associated with the site called Bauhaus Cowboy. It seems to have ended in the summer of 2009, but there are still many interesting posts there to peruse.

Modern Women at MoMA and a tribute to a Grande dame, Louise Bourgeois

Modern Women : A partial history

The Museum of Modern Art owes a large share of its success to women. The Museum was the idea and creation of three women, and from those founders of 1929 to the associate director and president of the Museum today, women have been instrumental in the development of the institution’s mission, program, and collection. 



Modern Women, Women Artists at The Museum of Modern Art
This groundbreaking publication examines MoMA's collection by highlighting the work of modern and contemporary women artists whose diversity of practices and contributions to the avant-garde movements of the twentieth century have been enormous, if often underrecognized. Featuring fifty illustrated essays by many of the strongest voices in current research on art and gender,Modern Women: Women Artists at The Museum of Modern Art presents a variety of generational and cultural perspectives and examines both canonical figures and lesser-known artists.

Richly illustrated with works from MoMA's collection, Modern Women offers a lively discourse around gender and the production of meaning in art, one absolutely necessary for a more complex understanding of the art of our time. Includes 400 illustrations.



Eva Hesse


Elizabeth Catlett


Frida Kahlo


Atsuko Tanaka


Barbara Hammer


Gillian Wearing


Howardena Pindell
Courtesy of MoMa

This is a tribute to Louise Bourgeois, a Grande dame of American and European art, and to all those great women's artists who are no longer with us.
Louise Bourgeois best known for her spider sculptures
Maman, the giant sculpture at the National Gallery in Ottawa, Canada



Cell (Eyes and Mirrors)


Untitled and Femme Volage at the Pompidou, Paris


Fabric Drawing





"Pictures by Women": A History of Modern Art

A Gathering of Women with Cameras
At MoMA

Pictures by Women: A History of Modern Photography

May 7, 2010–March 21, 2011
The Edward Steichen Photography Galleries, third floor
For much of photography’s 170-year history, women have expanded its roles by experimenting with every aspect of the medium. Pictures by Women: A History of Modern Photography presents a selection of outstanding photographs by women artists, charting the medium’s history from the dawn of the modern period to the present. Including over two hundred works, this exhibition features celebrated masterworks and new acquisitions from the collection by such figures as Diane Arbus, Berenice Abbott, Claude Cahun, Imogen Cunningham, Rineke Dijkstra, Florence Henri, Roni Horn, Nan Goldin, Helen Levitt, Lisette Model, Lucia Moholy, Tina Modotti, Cindy Sherman, Kiki Smith, and Carrie Mae Weems, among many others. The exhibition also highlights works drawn from a variety of curatorial departments, including Bottoms, a large-scale Fluxus wallpaper by Yoko Ono.

Julia Margaret Cameron (1867)          Gertrude Kasebier (1899)

Ilse Bing (1931)

Tina Modotti (1926)

Cindy Sherman, 2010

Kineke Dijkstra, 2008

Helen Levitt, 1981

Courtesy of MoMA
On view at MoMA via the NYTimes / slideshow



Les Trois Musiciens: The Prequel


LES TROIS MUSICIENS, FERNAND LÉGER, 1932

I'll admit it. I'm in a yellow phase. Have been for well over a year now. I still love orange, and will not be giving up my mid-century orange fiberglass chairs or Heller plastic any time soon, but I've moved on to yellow. So when I saw this version of Les Trois Musiciens, which sold on Wednesday night at Sotheby's for $5,000,000, it just knocked my socks off. It could just be a matter of my current color bias, but the black and white treatment of the musicians with the solid yellow background is so fresh and contemporary. It's got that altered-b&w -photo look of Baldessari or an iPod ad. Check out the 1945 version of the painting at MoMA. It looks quaintly "modern" by comparison.