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Showing posts with label Downer Jams. Show all posts
Showing posts with label Downer Jams. Show all posts

Circlesquare



Circlesquare - Dancers

Circlesquare's new album is called Songs About Dancing and Drugs.  It has that moody handmade electronic vibe, half techno half rock, that you find on Colder or Thomas Brinkmann's last album When Horses Die. Call it bedroom Joy Division.  It's excellent if you like shadowy synthetic sounds but also Leonard Cohen. The song 'Dancers' is my jam. There's a number of album tracks where the lyrics are positive but they're weirdly undercut by minor-key chords and deadpan singing..so when you hear "now we're all dancers.." it sounds oddly alienated. 

The key word in the title actually is 'about', it's all about the about. It's not songs for dancing and drugs, but about them. The whole record feels like you went out clubbing and partying and there was a big rush of sensations and you stayed out very very late and all your friends went home, and now you're back at your laptop with a midi board, and maybe the sun is coming up, and you should drink some water, and all the loud pulsing sounds, with firebomb bass and siren swirl, are still echoing somewhere in the back of your skull.

here's a mix from Circlesquare as well, more downtempo gothic beats for your solo trek home through the neon wilderness.


Circlesquare- "Super Late Night Music For People In The Dark" DJ Mix
This Mortal Coil- Thais II (excerpt)
Glass Candy- Lovin Machine
This Mortal Coil- Thais II (excerpt)
October- Doxa
Circlesquare- Dancers (Konrad Black Remix)
This Mortal Coil- Thais II (excerpt)
Jefferson Airplane- Lather
Aphex Twin- Mookid
The 6ths- The Sailor In Love With The Sea
Circlesquare- Ten To One
Tones On Tail- Rain
Matias Aguavo- De Papel
October- Listen, Move, Dance
David Bowie- Up The Hill Backwards
This Mortal Coil- Thais II (excerpt)
Circlesquare- Music For Satellites
This Mortal Coil- Thais II (excerpt)

Bush & Beach: Axes to the Frozen Sea


Kate Bush - Hounds of Love




Beach House - You Came to Me

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There is a famous quote from Kafka, about what a book should be. It should be "an axe to the frozen sea inside us," he says. At times I wonder if this isn't also true for music, at least some music. There are some songs I find truly upsetting, that I avoid approaching carelessly, for fear of allowing them to needlessly provoke me.  Here are two of these songs. Each has a very specific moment that triggers a cold flurry of the nerves, a deep spinal rush, for a reason I can't explain. It's not that I'm reminded of a tender childhood idyll, or a bitter romantic letdown. It's that I feel as if a raw nerve inside me has been struck, one that I have to avoid thinking about too often if I want to be a person and live among others in this world.

1. I don't understand why I have to explain who Kate Bush is to my friends. 'Running Up the Hill' is obviously a classic, but no less spellbinding is the title track from her album 'Hounds of Love.' You know how you hate Tori Amos? Can you imagine if you took all of Tori Amos' characteristics but combined them into a version that you do like? I know, it takes a certain speculative stretch, but you can do it. This song is suffused with dreamy erotic energy and unnameable poetic passions. Also it has cool tom drums. It sounds like she's going to lose her shit while she's singing. The part that freaks me out is when she says "take my shoes off and throw them in the lake..and I'll be two steps on the water..."

2. I also don't understand why no one writes songs as heartfelt and mesmerizing as Beach House does. They make lots of other people's songs sound insincere and calculated by comparison. Also I have a natural disposition towards states of decadent, inonculated melancholy, which makes it quite easy to ride for these guys. This is my favorite song from Devotion, and the first one they played at Music Hall of Williamsburg last night, which forced me to abandon my drink order and rush to the mezzazine to watch. The raw-nerve jolt here is when the song switches into blissful outro mode and Victoria sings, in a tone that more often than not reduces me to tears, "you came to me...in my dreams..and spoke of everything.." The video matches the Beach House vibe quite well, it appears mildly slowed down, glittery, somnabulistic, a velvety opiate lullaby. 


Dreams of a Winter Mystic



1. Melchior Productions - Who Can Find Me (I Can't)



2. Fennesz - Perfume for Winter



3. Ezekiel Hoenig - Porchside Economics

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Three songs to inaugurate the days of a hazy, palid, low-temp submergence. 

1. I'm mildly obsessed with this release by Thomas Melchior on Cadenza. It's a gorgeous, light-rhythmed minimal bliss-out, with drifty girl vocals. It feels like if you're scuba-diving and you look up and see the filtered sunlight flickering down through the water, a shimmering, diaphanous curtain. It's great for walking around on a pale afternoon, watching gusts of wind scatter leaves across the earth.

2. Track from Fennesz's latest, "Black Sea." Why do electronic musicians associate winter/cold weather worlds with metallic, hi-frequency reverb? like the kind you imagine on a Hannett-produced snare drum. It works for me, I'm just curious about the psycho-aesthetic link-up. Here thrown pebbles of white noise plunk past spare, sonorous clusters of sampled guitar, all ebbing and flowing like ripples on a gentle pond. 

3. From his album, the well-titled "Surface of a Broken Marching Band." Feels very much of the Fennesz school, but with some lovely low-tuned fractured hip-hop beats lurking in the murk. 

Sun Downers / Beach Bummed



Crosby, Stills & Nash - The Lee Shore
Dennis Wilson - Moonshine
Eden Ahbez - Eden's Island
Gabor Szabo - Gypsy Gueen
Gordon Lightfoot - Sundown


Sundowning refers to a diverse set of psychological symptoms which can arise in the elderly, particularly those afflicted with Alzheimer's, during the onset of evening. Those afflicted can become restless, highly confused, begin to 'shadow' their caretaker, or experience signs of dementia. Medical science provides us with a handful of various explanations for this, but has not considered the possibility that this state might be a byproduct of the momentary alignment between the time of day and the stage of one's own life as it inexorably draws to a close. In any case, it would be reductive to assume that sundowning is only a threat to the old, and not instead recognize it as a general trait of the human condition. Man is the animal who, in the late afternoon, becomes confused. The time of late afternoon can be understood in a myriad of ways, as a time of day, as a time in one's life, and so on.

It is not difficult to imagine that all of the above compositions might have been composed under the greying light and sway of lengthening shadow.
Not included here is perhaps the epic mother of all beach-downer jams, "On the Beach" by Neil Young. In regards to AC's readership, this track perfectly occupies a meridian where either you already have it or you should go out and get it yourself. AC is about joy and love, but also about individual empowerment.

1. The Lee Shore (by David Crosby)



Superior boxed-set version of this track from 4-Way Street.

A lee shore is a shore that is closest to the leeward side of an ocean vessel. In regards to the direction of the wind, the vessel's sides are divided between windward and leeward sides - the leeward side is the side opposing the one directly facing the wind. In effect, the boat is always being slightly blown towards the lee shore, a condition which puts it interestingly at odds with the sentiments in this highly romantic-nomad, near-mystical ode to unfettered nautical wandering. Which is in fact another name for endless grift.

A highly recommended track, well-suited for the twilight hours, or any solitary nomadism. (special thanks to JF for digging this one up. Here is a photo of him in his extensive CSN archives:)




2. Dennis Wilson - Moonshine



From the recently reissued Pacific Ocean Blues by the Beach Boy's drummer - pretty much stunningly downer beach record. Wilson's voice is touchingly weary and strained in parts, and the string/choir sections so fragile, it makes Dennis seem like Nick Drake's acid casualty older brother. Sounds a bit like the most achingly convalescent Spiritualized tracks sometimes as well.

3. Eden Ahbez - Eden's Island



Emma N. sent me this. It sounds like Martin Denny meets Moondog: hazy exotica, drifty group vocals from an album recorded by an ueber-hippie who gained fame for writing "Nature Boy" for Nat King Cole. Ahbez ended up a kind of a weirdo-dropout shaman cult figure.

This is additionally pretty cool: someone has answering machine messages from Eden that they saved: http://www.shadowboxstudio.com/ahbefiles/messages.htm

which don't really shed much light on the guy but are highly entertaining due to the musical patterns of oral communication, especially the monological ramblings of a talented eccentric, and remind one of the sorts of snippets of Americana dialogue used in Harry Partch's works.

4. Gabor Sazbo - Gypsy Queen


Hungarian guitar player, records deep soul-jazz instrumental tracks that could be DJ Shadow samples. Which is pretty much a subcategory of music now: stuff that Shadow could have sampled. This track has cool breezy beats. Plus it's fun to say "Gabor Szabo," like you're a magician.

5. Gordon Lightfoot - Sundown



It's called "Sundown." And it' s just seriously one of the best 70s folk-rocker jams, like ever. It's written about his then-girlfriend Cathy Smith, with whom he had a tumultuous affair in a time when he was married to another woman and drank alot. Smith later gained notoriety for being the person who injected John Belushi with a fatal heroin overdose - for which she wound up serving time in the California penal system.