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Showing posts with label Verrieres. Show all posts
Showing posts with label Verrieres. Show all posts

more Verrieres than I bargained for


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One of my favourite fabrics- Verrieres. I wrote about it in detail HERE last summer. Another classic case of Verrieres in the bedroom of Nadine, Baroness de Rothschild, at her cottage in Brittany. When interviewed for The French Woman's Bedroom* by Mary Sargent Ladd. She said of the blue and white floral pattern, "It's a country pattern, very feminine. I couldn't use it in the city or with a man around the house. I must admit that in buying this house I was thinking of the fabric. When I first saw it at Louise de Vilmorin's, it seemed to go perfectly with her, and then I discovered that Helene Rochas had the same fabric too. That made me realized that it made all the women look lovelier because it radiates a peaceful and serene atmosphere."



Along with this stunning bedroom, with one of my favorite fabrics- I began to think about the woman I had quoted-What was Nadine de Rothschild like? She was a beauty-and remains so. She was a fashion model, and artist's model & muse, posing for painter, Jean-Gabriel Domergue, some of his work bears her name, while many others bear her likeness.




"Nadine"


Jean-Gabriel Domergue

like Nadines by Domergue-




Born in 1932,Nadine Lhopitallier, the future Baroness was an actress during the 1950's- her stage name-Nadine Tallier.
 Whether modeling, acting or musing, Nadine was a confidant woman and it followed naturally that in 1962 she marry the wealthiest of the Rothschilds- Edmond. She was from the working classes- Made no difference. Edmond was the freewheeling individualist-preferring to seek his own successes outside the conventional Rothschild world. Edmond was not a a part of the Rothschild's social whirl, so his marriage, of course, shocked the elites of that world. When the pair met at a Paris party-  'According to contemporary accounts, they had met at a social event when he remarked that the diamond she was wearing was beautiful but not real. Later, seated beside him at dinner, she watched him open a small pillbox. Inside she saw a diamond ring. ''I don't doubt that it's real,'' she said, ''but isn't it in the wrong place?'' click the text for the NYTIMES article


She was not any of the things other Rothschild wives claimed- and above all she was Roman Catholic. She converted and years later said ''It would not have been possible to have the name Rothschild and be a Catholic, 'Nor would it be right for the son of a Rothschild to be half-Jewish and half-Catholic.''

 



She is known as a writer- books on perfect protocol for society's elite- romance novels, a memoir- "The Baroness will return at 5," & countless others. After her husband's death, she embarked on books, the family businesses, that now include the wines, Clarke and Malmaison, her husband's last passion and business venture. Baroness Nadine and her daughter in law have created an elegant hotel in Megeve-once a family chateau. She is co-founder of The Edmond and Nadine de Rothschild Foundation in the fields of medicine and education.


The Baroness, 2009
image from elle,fr here



the Rothschild Room donated by the couple & decorated by Henri Samuel
an 18th century French Salon


This Baroness can keep you busy for days!


the Nadine Tallier photographs here
the Domergue painting is entitled Nadine, there are however many Domergue paintings that carry her likeness.
Domergue biography here 
read about Baron Edmond's Chateau Clarke and Chateau Mouton wines here
read about Domaine du Mont d'Arbois the Megeve family chateau, now deluxe hotel in  here

Revisiting Verrieres

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As with most decorators- I have my favorites. This is my absolute favorite printed fabric. VERRIERES has a glorious history creating some of the most memorable rooms in print.

After seeing the Verrieres covered screen photographed by Horst, with model Verushka in the picture as well- I couldn't resist revisiting its past. Verrieres, is forever bound to Louise Vilmorin- heiress, author, paramour to the famous & the most noted chatelaine of her family Chateau de Vilmorin in Verrieres-le-Busisson. Though she lived many places the family home remained her domain- as six doting brothers saw to it. The main salon of the house was deliciously smothered in the cotton print now widely known at Verrieres. The salon remained unchanged for decades- a testament to the idea that if you get it right the first time- there is no need to make changes in the future. This should be the credo of any successful room-Yes, additions can be made, touches here and there-But leave a good thing as is.




Verushka by Horst, I think Vilmorin would approve


The life of Louise de Vilmorin is a book within itself-An Aesthete' Lament noted the French biography by Francoise Wagener Je suis nee inconsolable in this posting (here) called Jeez Louise. Do go and read this one-it brings the Salon Bleu with Verrieres to life and sweetens things by dishing about Louise de V.'s loves. The post features two wonderful-new to me- Verrieres Rooms. Enlarge the photographs and see the ceiling detail on the Jansen room. The edge of Verrieres has a small scalloped border that creates all the edging details and defines the print. The Aesthete says since posting he has discovered the room was decorated by Henri Samuel- making perfect sense, Henri Samuel's masterful design & the Aesthete's finding this out.



Louise de Vilmorin by Beaton in her Salon Bleu

image from An Aesthete's Lament



Louise was described by Evelyn Waugh to author Nancy Mitford "as an Hungarian countess who pretended to be a French poet. An egocentric maniac with the eyes of a witch. She is the Spirit of France. How I hate the French." With Mitford adding "Oh how glad I am you feel this about Lulu—I can't sit in a room with her she makes me so nervous. And vicious… She is much more like a middle European than a French woman." (Ivry 1996) The inevitable darts get thrown at women whose lives are lived in opposition to polite society and both of these writers had reason to be a bit green where Louise de V was concerned. Their acerbic comments were likely dead on however. The lady described her own passions-that is writing- by saying "Sexual conquest lights my lantern, that's what pushed me to write." Intrigued yet?




The lady and the fabric are inexorably linked. The original, batik inspired print was designed by Jacques de Luze in Switzerland and printed in 1810 in black, white & red on a red brown background. From Switzerland, the fabric made its journey to the fabric house, Le Manach, in France- and is known as "Batik." Brunschwig and Fils now prints the fabric under license in the States in several colorways - It's Vilmorin blue being THE color. Most successful are the rooms that use the fabric on every possible surface in the room full out- as done at the Chateau. Murray Douglas is heir to Brunschwig and Fils and She was niece to Zelina Brunschwig. Her Aunt Zelina took young Murray Douglas to the Chateau de Vilmorin advising her, "Don't Talk, Just Look." (How wonderful!) Douglas describes the experience of meeting the divine Louise and taking tea in the Salon- " I just sat there completely overwhelmed-I guess you could say I was scared blue." Murray Douglas used the Verrieres Blue in her own bedroom and dressing room-the room, the lady and the fabric must have made an indelible impression on Douglas, as it has on countless others.



Louise de Vilmorin photographed by Cecil Beaton, 1940
photo from & Apres


Designer Mario Buatta's Kips Bay room is probably my first exposure to Verrieres. Here, at the 1984 Kips Bay Showhouse, Buatta lavished the room in the B&F Verrieres and the results were stunning. I think this is Buatta's best published room hands down. It captures a mood, a spirit, an energy that makes a room timeless- of course Verrieres helps out loads. The Brunschwig motto " GOOD DESIGN IS FOREVER" echos in this beautiful room. The August 1984 issue of House Beautiful is filled with pages of the Buatta room & an interview with Buatta. Mario Buatta started with Verrieres-it is the room's inspiration. "This is a timeless room. There's no date on it because nothing is faddish. It's a forever kind of decorating."








Mathilde Agostinelli's Jacques Grange decorated Paris home was featured in House and Garden in May 2006. Mathilde Agostinelli planned her daughter's room with Pink Verrieres curtains from her own childhood room. Again Verrieres casts its life long spell. Agostinelli's apartment is one of my favorites in print from the House and Garden archives. Her own past is lined with luminaries in the design world. She is tied to the house of Miuccia Prada in promoting the Prada brand. Her half sister, Victoire de Castellane, is an artistic director at Dior, while uncle, Gilles Dufour is a fashion designer, noted for his stints as creative director at Balmain and he called Chanel home as Lagerfeld's go to guy for years. Matilde is also niece several times removed to the renowned architect and designer, Emilio Terry.



Agostinelli's Childhood Verrieres

photograph by Francois Halard


Another Pink Verrieres in Cawdor Castle, Scotland. Countess Cawdor picked the B&F fabric for one of the Guest Rooms in the Castle.






... and so the story goes on with Verrieres. Do let me know if you want to be added to the Verrieres legends list? I can assist.



Sources for this post- not mentioned in the text

Brunschwig & Fils Style By Murray Douglas & Chippy Irvine
Madame de by Louise de Vilmorin Seductress: Women Who Ravished the World & their Lost Art of Love by Elizabeth Stevens Prioleau

to see the Agostinelli roooms in House and Garden go to the Peak of Chic for a tour (here)

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