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Showing posts with label Ron Hardy. Show all posts
Showing posts with label Ron Hardy. Show all posts

Edit Credits 2/4: First Choice



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Another one of Hardy's most massive cuts. It's also the polar opposite to the wound-tight restraint of "Peaches and Prunes." Wonder where Pilooski's wound-up re-edit rockets like that of 'Beggin' and 'Crawfish' come from? In part it's from the stunning loops, cuts and rewinds at work in Hardy's mix of "Let No Man Put Asunder." It's one of those gorgeous, passionate carpe-diem disco anthems, and when Hardy operates his magic of hypnotic repetition, it's like the aural equivalent of catching a buzzing bee in a glass jar. You can literally hear disco turn into house, men into machines. Thanks to the Beat Electric blog for posting it - Beat Electric is hands-down one of the best disco/boogie blogs out there, consistently thorough, insightful and exciting. 

Edit Credits, 1/4: Edit of the Year


Nightlife Unlimited - Peaches & Prunes (Ron Hardy Edit)
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Experts at the AC think tank are in agreement: Ron Hardy's cut of Peaches & Prunes, originally from 1980/81, is the edit of 2008. Why? For starters, it was featured on three important mixes: 

and four tet's resident advisor podcast.

Why did it show up this year? A resurgent interest in mixes from Hardy, one of the founders of house music, didn't hurt (a lot of them are archived here). Listen to these mid-eighties sets, and you'll hear disco morph into house music. When old styles become fodder again for new minds, it's often these morphing points that become primary objects of interest. For a revival, once a style becomes well-defined, its shell has hardened and its soft, pulpy goodness is more difficult to retrieve. In a transition time like Hardy's, rules are not set yet, agendas aren't fixed, everything is up for grabs, it's a big creative laboratory. And, as in any experimental situation, there is as much that's ultimately left by the wayside as there is that makes it out to market. No wonder today's disco producers and djs are spending so much time with Hardy's legendary creations. 

Why Peaches and Prunes? Because it's an object lesson in flamboyant restraint. Hardy took the briefest from the intro and rides it for a good damn while. Then suddenly when they bust out with the chorus, you feel all that pressure that's been steaming up to suddenly hiss out with great relief. It produces that sort of universal gratification that bypasses genre interest, which is probably partly why dub punkers like mi ami and laptop experimentalists like four tet are into it: a disco obsession isn't necessary. Like all great dance music, it speaks directly to your body, telegraphing signals to it: anticipation, pressure-building, climax, relief. This is one of the songs that first got me into the science of djing, as such it remains one of my favorites. get up with it. 

Cry of the Lonely / Night Plane Edit








A forgotten Chicago r&b/house jam produced by "Silk" Hurley in 1987. JM Silk's bigger hit was a cover of "I Can't Turn Around" by Isaac Hayes, and like Hayes' version was repped by Ron Hardy at the Music Box. As the cover would indicate, this is definitely on the flat tops & fades end of the house spectrum. With a longer instrumental intro, extra dubby handclaps and chunky snare, The House of Trix mix could be a New Order song being performed by impassioned brothas. Nice fat analog bass and echoey, pitchshifted vocal samples.

For your additional exclusive pleasure, may we recommend a special extra-languid Night Plane re-edit, which is based on the "Dub-House" mix being played at -10. Recommended for fans of DJ Screw, Rub-n-Tug, and dance music for cough syrup addicts. May we in general recommend the "dub-house" mix of anything, preferably pitched -6 to -10 and served with craig and sazerac rye. 




DISCO MELTDOWNS



TANTRA - THE HILLS OF KATMANDU

On Monday I went to the Social Security office to apply for a replacement SS card. Don't ask, but believe me, because I would not lie to you, after all you've done for me, sometimes without even knowing that you did so, which can be the most beautiful way to do things, with that soft warm light of self-oblivion, the kind that will come to shine again in the end of days.

It should come as no surprise when I tell you that there was a despicable, soul-crushing line awaiting me, and that I waited there, in the queue in that airless room with other crushed souls, for a good hour, and that I listened to music, and that I had to stop listening to these songs that I'm sharing with you, because they were way, way too amped up. I literally felt like I had to start running around, so I put on "El Kinto" instead, a highly peaceable antidote.

This is my way of saying please don't listen to these tracks while you in a physically constrained environment, because you will probably want to start moving your parts around in a rhythmic way. Best to go running, or jump on your bed, or dance. Both are highly recommended in general, both are specifically highly recommended as workout anthems, and both will be soon played by me in a DJ or DJ-like environment.

TANTRA - HILLS OF KATMANDU is a severely holy-shit epic italo-disco classic, recorded by Celso Valli, who is another legendary Giorgio Moroder type. It is a brawny, barebones dance comet, it has girl singers, random 80s guitar riff interventions, and flute solos. It's from the early '80s. If you want to know where LCD Soundsystem came from, guess what, it's this stuff - a solid grail of deep underground disco. Why is this not on CD? I guess because if it was, it would kill the 'holy shit' factor you get when you hear it for the first time, after you think you're a big enough nerd to have heard all great underground disco already (you're not not by a long shot. thankfully).



RON HARDY @ The Music Box in Chicago, early 80s

This Ron Hardy edit of ISAAC HAYES - I CAN'T TURN AROUND is also fire, hellfire, like melt the house down fire. Because it's nine minutes of a jacked-up horn-section dominated funk groove with Isaac over the top. It just smells like furious sweat. Every time you go to dancing in a club, you should have to thank Ron Hardy for it. You should have to touch your fingers to one of those little things by the door frame like the one that you touch if you're Jewish. Also what's great about edits like this is the man-machine hybrid: it's not drum-machine and computer beats, it's people playing, but they've been caught in Hardy's time-warp loop device and they can never escape, they can just churn out peak-time burners like this into infinity.

Mix: Rooftop Special



Weekend Prince - Rooftop Special

1. Peaches and Prunes - Nightlife Unlimited (Ron Hardy edit)
2. Faze Action - Hypnotic
3. Photonz - Trembler (Discodeine mix)
4. Cappucino - Hell Dance With Me
5. Frankie Valli - Beggin' (Pilooksi edit)
6. La La La - Segun Bucknor & His Revolution
7. Paul Kalkbrenner - Bingo Bongo
8. Jessie Rose - Evening Standard
9. Gotye - Heart's a Mess (Supermayer Remix)
10. Goldfrapp - Train (Ewan Pearson Mix)

A commemorative mix.
A belated thanks to those in attendance last weekend, who helped us enjoy amazing food and discover beats. Gratitude to James a gracious host, and Wade, whose athletic, adventurous cooking efforts made the day such a success.

Special commendations:
Jesse: Medal of Bronor
Jonathan: MVB

Bonus tip: This mix opens with a disco burner, Peaches and Prunes, edited by Ron Hardy, one of the grand wizards of early Chicago house. You can listen to a bunch of his mixes from the early 80s here:

http://www.deephousepage.com/

thanks to Markverydisco @ Devils Discoid for hooking a brotha up with P&P

http://devilsdiscoid.blogspot.com/