.
If only I could finish that thought- About Mrs Post, amongst other things. This may be part of the problem, too many thoughts-not enough time. But I
continue to think about Mrs Marjorie Merriweather Post. Her HILLWOOD home is vast- a mansion, yet the house is approachable. I believe it is the innate personal Post charm that resonates throughout the rooms that gives me that sense.
She adored entertaining and hosting guests- She was house proud. You may say-
well of course- Yet many collectors will collect to say
I collect. For Mrs. Post, it was a passion that drove her to study , to acquire, to discern. She reveled in giving the Tour. Her hope was to create a living museum of a private nature.She must be pleased.
Mrs.Post surveys the table of the dining room at HILLWOOD.
(from the pages of LIFE MAGAZINE)
THE TOUR HIGHLIGHTS- but by No means everything I saw.
On the day I toured HILLWOOD the magnificent marble table that once graced her MAR A LAGO home was unadorned with fine linens and stood in dominance in the
DINING ROOM. The table came to HILLWOOD after Mrs. Post's death, as stipulated in her will (foresight, MRS POST, indeed). Architect Joseph Urban helped with the design of the table- supervising Mrs. Post's commission from the Opificio delle Petre Dure in Florence, 1927. Seeing the opulent hardstone mosaic top on view was an unexpected highlight! Read a 2003 article in the MAGAZINE ANTIQUES about the saga of the more that 15 foot long Marble table
here. The article by Rachel Layton Elwes tells the story with a glorious description of the table's top.(March 2003)
an example of pietre dure
On to the kitchen. Yes, the HILLWOOD
Kitchen quite took me by surprise. As I mentioned in my earlier HILLWOOD posting-I always look about on these tours for real details that can be translated in today's world. It may be odd to wax about the "kitchen at HILLWOOD" but I protest.
from LIFE
Take a Look-( of course the fine ladies were not present ) To me it was just perfection-if- I were to have a perfect kitchen. It is all beautiful, functional- and simple. The detailing on the linoleum floors alone constitutes a minor work of art- in short, some craftsman's own pietre dure. From all the best of 1950's design!
from LIFE
In 1937, Mrs. Post's husband, Joseph E. Davies, was appointed second United States ambassador to the Soviet Union, making the move to Moscow, where MMP immersed herself in Russia’s artistic culture & began collecting Russian objects- religious & fine and decorative arts. Here in the aftermath with the cold shadow of Russia's Revolution, Mrs. Post devoured all that Russia offered and established the major part of her collection.
Mrs Post Davies & Mr.
How can one can begin to describe the treasures of the
Russian Liturgical Room? I am only a mortal- I leave the task to some other more worthy mortal or to the gods, saints, and martyrs. Let me just say it is FULL- here- the gold chalice commissioned by Catherine the Great as a part of a communion set for a Saint Petersburg monastery, a pair of 16th century doors from an iconostatis (icon screen). What caught my eye? What couldn't I take my eyes off of- I should say-the vestments-ornate robes of metallic brocade worn by priests of the Russian Orthodox Church. Mrs. Post selected from vast stacks and stacks of vestments in commission shops-awaiting the fire to recover their gold and silver threads. Mrs. Post was a savior. One of the brocades was so extraordinary, I was very distracted by all thechatter about that gold chalice.
Of course the vestments looked nothing like this-but nothing I have found to show you devoted ones-looks remotely like MMP's collection of vestments. Nothing. It would be sacrilege to show something less inspiring- So here is the most heavenly Christian Lacroix gown- the pies de resistance from his last Couture Collection Fall 2009. It inspires devotion.
image from Style.com
The Russian Porcelain Room was smaller than- size wise-but packed otherwise-with intricate incredible porcelains. I have to say porcelains for the most part allude my finer sensibilities. Mrs.Post was crazy over it-as witnessed by the beautifully built cabinets where the delicate and vast porcelains are enshrined.
from Christies A porcelain dish from the Service of the Order of St George by the Gardner Porcelain Factory, Moscow, period of Catherine II, 1777-1778-like those seen in Mrs. Post's Russian Porcelain Room. This one to my eye the most lovely.
So many rooms to see, NOW back to the
Entry- marvelous. The staircase portraits are of Russian royals with a huge portrait of Catherine the Great reigning over them all. I can not tell you the comments from one fellow "tourist"-but here, as we paused on the staircase it went something like- Now who was she married to? & on to something like Maiden names, etc.etc-thankfully the words MRS. Romanov didn't come next-but I was honestly expecting it.
Mrs. Post's Bedroom is pure French-Louis XVI in every way. A table case in the room is filled with precious bloodstone objects-Mrs. Post's birthstone. Again, though opulent-the room seems to be personal. She filled them with her things- they were not museum rooms and none of the rooms take on that feeling.
This bloodstone table box in gilded framework is from the Hermitage
Just beyond the bedroom is a gorgeous silver and pale blue Dressing Room. The wall are filled with family portrait photographs in beautiful frames. There was no- matching of frames with all the family photographs here. Mrs Post must have selected the frames or received them as gifts- mother of pearl, intricate inlay, mirrored, eglomise- all lining the walls with portraits of daughters, especially her glamorous movie star daughter Dina Merrill- one by Milton Green, with Dina posing in an Estevez black gown the photo-a tribute to the Sargent painting-MADAME X.
Originally published in LIFE in 1960
from NYSD Another room where Mrs. Post showed off many personal photographs was the First Floor Library. The library was a room where Mrs. Post spent time with an intimate group of friends & family. An English-style paneled room with 18th century carved English pine, this is one of the prettiest rooms in the mansion. One I would really love in a home of my own. It is warm, personal and displayed her photographs in Cartier and Caldwell frames. For me, seeing this room ends the on again- off again topic of - do you or don't you display personal photographs in rooms- other than bedrooms or the like? YES, if Mrs. Post did it- go ahead. I do. It is truly ridiculous to set up rules that might have applied to decorating and design in some terribly staid book about the subject written years ago-or worse in the recent boat load of decorator how to decorating books. Why deprive yourself of the faces of loved ones? How often do you have a photography crew from HB or Elle Decor popping in to shoot for their next magazine?
image from HILLWOOD MUSEUM & GARDENS
One of my favourite rooms was the
PAVILION. I could easily imagine the lingering fragrance of Russian ambergris. This is a beautifully arranged large room encircled with heavy latticed moldings, pretty small French chairs and French settees with small tables extending from the arm- designed for setting after dinner drinks. This is the room that evoked the age of the last Romanovs. So much opulence, such a display of wealth, the color and the mood-blacks, mauves, lilacs- all dusted with a powdery sugar coating away from reality-but beautiful. Here-the Romanovs gather in personal photographs placed on a piano, Russian portraits, along with monumental Russian urns, Russian paintings & Russian ivory.
The Pavilion holds the massive Konstantin Makovskii painting
A Boyar Wedding Feast. The work, painted in 1883, depicts Old Russia of the Boyar class uniting two influential Moscovy
Boyar families. The painting -at first glance- is romantic, extravagant, ebullient- a second look reveals a miserable bride,the oblivious resigned faces of the women and the leering faces of the Boyar men.
As an aside- I dated a first generation Russian for a bit- and he could easily step right in to that painting ( just there seated left of the bearded man raising a goblet).Another painting in the Pavilion,
Portrait of Countess Samoilova (1832-1834), was painted by Karl Briullov
. Another story book portrait, at over 9 feet, the beautiful Countess is depicted with her young foster daughter and a servant. Dressed in the height of Paris fashion, Julia Samoilova entertained royals, revolutionaries, ruffians- incurred the Tsar's wrath-her story reads very differently from the lovely lady depicted in the portrait. Read indept about the artist and the Countess
here in Apollo Magazine.
Last, but not least by any means, as I left the Pavilion ,Mrs. Post's collection of ivory stopped me. Though not highlighted by the docent, the collection is stunning- and I am guessing Russian in origin. I remember them as something like this.
Here from
1st dibs & Florian Papp is a early 19th century Russian Ivory filigree mounted octagonal box.
In reality though my own thoughts are full of Russian romanticism, Mrs. Post used the room to entertain large parties, to view movies and for the occassional square dance. It is nice to note that Mrs. Post treated her staff to the cinema when films were screeened,creating seating for them in the balcony area.
After the Pavilion- I seem to have been lost in Russia- everything else paled in comparison.
read more about HILLWOOD
here take a tour HILLWOOD ESTATE, MUSEUM & GARDENS
here.
