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Showing posts with label A Greyish Malaise That Bears No Name. Show all posts
Showing posts with label A Greyish Malaise That Bears No Name. Show all posts

systems breaking down





absolute classic early 80s female-led synth dirge by the mysterious Anna. File under spookiness like "Take My Breath Away" by Berlin, or "Faith"-era Cure. Note the killer outro, with wild drum fills and background screaming, everything melting like a comet descending into the ocean. Anna sings lines like "Wish my boyfriend stayed around...I think my system's breaking down," the whole thing expressing psychic turmoil, metropolitan alienation, shadows in the neon wilderness, empty streets in the dead of night, the faces of passersby like blood-drained specters. Also a tinge of intense hysteria like in Polanski's "Repulsion." Included here is also the dope tech-ed up dub version, where you hear a quiet child's voice, like some lost guardian angel, imploring "don't cry anna..."

malaria!



more synth-goth Neue Deutsche Welle shadows from Berlin - an all-women quintet from the early 80s, Malaria was founded by Gudrun Gut, an early member of Einsturzende Neubaten. Their song Kaltes, Klares Wasser was covered by Chicks on Speed in 2001.



Poster using a photo of Malaria backstage at Studio 54.


Interview (English subtitles) with the band when they were called Mania D


grauzone




grauzone - eisbaer

"ich moechte ein eisbaer sein... / eisbaere muessen nie weinen." (I'd like to be a polar bear..polar bears must never cry.")


grauzone is a swiss post-punk/electronic group from the early 80s, prime material from the Neue Deutsche Welle (New German Wave) scene, essentially the Deutsch incarnation of icey, metallic-inhuman electronic rock. "Eisbaer" was their most commercially successful effort, in which the singer longs for a Knutian transformation, not out of devotion to face-melting cuteness, but so that he can never cry again. It also sounds way better in German, natuerlich. "Ice Bear" being clearly more intimidating than "Polar Bear." The rest of grauzone's material is consistently shadowy, noisy and sonically inventive. For further research:


Tracklisting:
1. Moskau
2. Ein Tanz Mit Dem Tod
3. Ich Lieb Sie
4. Film 1
5. Film 2
6. Schlachtet!
7. Hinter Den Bergen
8. Maikäfer Flieg
9. Marmelade Und Himbeeries
10. Marmelade Und Himbeeries (Part Two)
11. Wütendes Glas (LP Version)
12. Kälte Kriecht
13. Kunstgewerbe
14. Der Weg Zu Zweit
15. In Der Nacht
16. Eisbär
17. Raum
18. Träume Mit Mir
19. Wütendes Glas (Single Version)

Tracks 1-4 taken from Moskau EP recorded November and December 1981
Tracks 5-15 taken from Grauzone LP recorded July & August 1981
Tracks 16-17 taken from Eisbär single recorded 1981
Tracks 18-19 taken from Träume Mit Mir single recorded 1982

special thanks to gute luft for the compilation efforts.




Dear Doctor Beats



Doctor Beats

Dear Doctor Beats:

These days I'm sad, and I suffer under a greyish malaise that bears no name. It's not one thing, but a lot of little things, that conspire together to whisp an air of self-pity and discontent all around me. The guy I was casually seeing stopped returning my calls. The weather has taken a colder turn. And I have this thing on my leg near my "area," I hope it's just a fungus. 

Signed,
Daughter of Darkness

Dear Daughter:

For reasons still unfathomed, man needs to constantly represent his own world back to himself. This becomes urgent when contingency becomes unbearable, and contingency only appears to you in this way when you don't get what you want. When this happens with enough intensity, it feels as if a great shadow of soul-draining ennui is slowly creeping around your floorboards. Fortunately for you, and for the race of human beings, New Orleans funk legend Allen Toussaint knows the musical counterpart to this feeling. It is a song called "Cruel Way to Go Down," and while it's explicitly about feeling lonely, it's really about every sad feeling ever, combined together in a beautiful dirge-y atmospheric jazz tune that makes you want to wear a trenchcoat and stroll aimlessly, watching a pretty girl pass by in a bus, staring at shop windows in the rain. It's better than Xanax. Because music, unlike prescription medication, never needs to be refilled. 




After soulful catharsis has subsided, may I recommend as a segue-track back into the sunny world of smiles and lightness, this "Raw Boogie" number posted by Beat Electric, one of the best disco blogs that the internet has yet produced. It's a little Minneapolis-funk style private press number called, inexplicably, "Soul With Milk," performed by "Sumy," and it sounds like Prince but slightly more autistic. The chorus of synth bells and 'dip-a-dip dip dip" vocals is truly a joyful noise unto the lord.